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The Postcolonial Uncanny: The Unrepresentability of Subject Formation in Margaret Atwood's Cat's Eye | ||
| Journal of Literature Across Borders | ||
| دوره 1، شماره 2، آذر 2026، صفحه 29-44 اصل مقاله (262.32 K) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.22080/jlab.2026.30904.1004 | ||
| نویسنده | ||
| Roya Elahi* | ||
| Assistant Professor, Department of English Language and Literature, Ershad-Damavand University, Tehran, Iran | ||
| تاریخ دریافت: 31 خرداد 1405، تاریخ بازنگری: 17 تیر 1405، تاریخ پذیرش: 17 تیر 1405 | ||
| چکیده | ||
| This article explores Cat’s Eye by Margaret Atwood through the theoretical framework of the uncanny in order to interrogate the unrepresentability of subject formation. Drawing on Sigmund Freud’s formulation of the uncanny and its postcolonial reconfiguration by Homi K. Bhabha, the article argues that the novel resists coherent representations of selfhood grounded in stable notions of home, nation, and identity. Although Elaine Risley remains geographically fixed within her native country, she inhabits a persistent condition of unhomeliness, experiencing estrangement within spaces conventionally associated with familiarity and belonging. The uncanny operates as a disruptive and destabilizing force that renders the familiar unfamiliar, thereby exposing identity as contingent, fractured, and constructed rather than unified or secure. Through an analysis of mimicry and camouflage as strategies of accommodation and survival, alongside the recurring figure of the double or doppelgänger, the article demonstrates how subjectivity emerges as divided, repetitive, and marked by internal displacement. These uncanny mechanisms foreground the limits of representation by revealing subject formation as a process shaped by dislocation, doubling, and deferred coherence. Ultimately, Cat’s Eye articulates subjectivity not as a stable or recoverable essence, but as an ongoing, incomplete process that remains fundamentally resistant to full conceptual or narrative representation. | ||
| کلیدواژهها | ||
| The Uncanny؛ mimicry؛ camouflage؛ double؛ doppelganger | ||
| مراجع | ||
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Ashcroft, Bill, et al., editors. The Postcolonial Studies Reader. Routledge, 2003.
Atwood, Margaret. Bodily Harm. Virago, 1983.
---. Cat's Eye. Virago, 1990.
---. Surfacing. Virago, 1979.
Bhabha, Homi K., editor. Nation and Narration. Routledge, 1990.
Cho, Hyun June. "The Sociopolitical Gaze on Shame in Cat's Eye by Margaret Atwood." The New Korean Journal of English Language & Literature, vol. 65, no. 2, 2023, pp. 67–96.
Connon, Daisy. Subjects Not-at-Home: Forms of the Uncanny in the Contemporary French Novel: Emmanuel Carrère, Marie NDiaye and Eugène Savitzkaya. Rodopi, 2010.
Freud, Sigmund, and James Strachey. The Complete Psychological Works of Sigmund Freud. Vols. 1–24, W. W. Norton & Company, 1976.
Gadpaille, Michelle. "Odalisques in Margaret Atwood's Cat's Eye." Metaphor and Symbolic Activity, vol. 8, no. 3, 1993, pp. 221–226.
Huddart, David. Homi K. Bhabha. Routledge, 2006.
Masschelein, Anneleen. The Unconcept: The Freudian Uncanny in Late Twentieth-Century Theory. State University of New York Press, 2011.
Royle, Nicholas. The Uncanny. Manchester University Press, 2002.
Shakespeare, William. King Lear. Bantam Classic, 2005.
---. Romeo and Juliet. Wordsworth Classics, 1992.
Vukelić, Aleksandra. "Othering, Resistance and Recovery in Margaret Atwood's Cat's Eye." ELOPE: English Language Overseas Perspectives and Enquiries, vol. 17, no. 1, 2020, pp. 29–40. | ||
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