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Shahi Gharehaghaji, Hadi. (1405). Agential Memory as a Rupture of Death in Mike McCormack's Solar Bones. پژوهشنامه مدیریت اجرایی, (), -. doi: 10.22080/jlab.2026.31691.1016
Hadi Shahi Gharehaghaji. "Agential Memory as a Rupture of Death in Mike McCormack's Solar Bones". پژوهشنامه مدیریت اجرایی, , , 1405, -. doi: 10.22080/jlab.2026.31691.1016
Shahi Gharehaghaji, Hadi. (1405). 'Agential Memory as a Rupture of Death in Mike McCormack's Solar Bones', پژوهشنامه مدیریت اجرایی, (), pp. -. doi: 10.22080/jlab.2026.31691.1016
Shahi Gharehaghaji, Hadi. Agential Memory as a Rupture of Death in Mike McCormack's Solar Bones. پژوهشنامه مدیریت اجرایی, 1405; (): -. doi: 10.22080/jlab.2026.31691.1016

Agential Memory as a Rupture of Death in Mike McCormack's Solar Bones

Journal of Literature Across Borders
مقالات آماده انتشار، پذیرفته شده، انتشار آنلاین از تاریخ 21 آبان 1405
نوع مقاله: Original Article
شناسه دیجیتال (DOI): 10.22080/jlab.2026.31691.1016
نویسنده
Hadi Shahi Gharehaghaji*
English Language and Literature Department, Faculty of Humanities, University of Zanjan
تاریخ دریافت: 17 اردیبهشت 1405،  تاریخ بازنگری: 27 مهر 1405،  تاریخ پذیرش: 06 آبان 1405 
چکیده
The paper explores and investigates the fuzzy fabric of memory in Mike McCormack's Solar Bones (2016). The unexpected narration of the novel from a dead narrator's point of view and how the narrator remembers the very selective and main events of his past existence can be justified through the very structure of memory which is different and distinct. The paper argues that the fabric of memory in Solar Bones is, in Karen Barad's terms, agential realist—that is, because of its special architectonics of recurring and arriving home after its odyssey in its very Kleinian bottle structure to where it has already started. Therefore, even though the narrator is dead, he could return to life to reflect on the past events of his life. The non-linearity and boundary-breaking nature of agential memory is what accounts for the life of a revenant narrator who, by remembering his past existence, transcends the commonsensical understanding of memory as possessed by an alive human subject. The paper tries to posit a new perspective in memory studies by juxtaposing the representationalist model and the agential model of Karen Barad. In the meantime, by its very non-linear narratological structure, Solar Bones transgresses the usual, linear structures of narrative and instead follows a non-representationalist narrative to account for its uncanny memory structure.
کلیدواژه‌ها
agential memory؛ Mike McCormack؛ Solar Bones؛ Karen Barad؛ agential realism
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