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تجلی حکمت هنر اسلامی »نمونه‌ی مورد مطالعه: نماد پردیس در قالیچه‌های محرابی گنجینه‌ی اسلامی موزه ملی ایران« | ||
| مطالعات باستان شناسی دوران اسلامی Journal of Islamic Archaeology studies | ||
| مقاله 5، دوره 1، شماره 2، اسفند 1401، صفحه 77-95 اصل مقاله (1.09 M) | ||
| شناسه دیجیتال (DOI): 10.22080/jiar.2021.3219 | ||
| نویسنده | ||
| مجید ساریخانی* | ||
| استادیار گروه باستان‌شناسی، دانشکده‌ی ادبیات و علوم انسانی، دانشگاه شهرکرد، شهرکرد، ایران. | ||
| تاریخ دریافت: 29 اسفند 1399، تاریخ پذیرش: 29 اسفند 1399 | ||
| چکیده | ||
| حکمت و هنر اسلامی دارای پیوند تنگاتنگی با قرآن و آموزه‌های قرآنی و از ریشه و سرمنشأ واحدی هستند. برای اینکه تحلیل مناسبی از هنر اسلامی ارائه شود، آگاهی از حکمت اسلامی برای محقق ضروری است. هدف این پژوهش بررسی حکمت اسلامی در نقشمایه‌های فرش محرابی با استناد به آثار هنری موزه ملی ایران است. روش تحقیق توصیفی و تحلیلی و بازدید میدانی از گنجینه‌ی اسلامی موزه ملی است. سؤال پژوهش این است که حکمت اسلامی چگونه در فرش محرابی قابل تبیین است؟ نتیجه‌ی تحقیق نشان می‌دهد که نقش محراب به منزله‌ی ورودی بهشت است و نگاره‌های داخل محراب مانند درخت سدرة‌المنتهی، درخت طوبی، نقش پرنده طاووس، باغ و چشمه و ... نشانه‌هایی از تجلی بهشت در فرش هستند و حاشیه‌های اطراف فرش مانند حصاری مانع از ورود شیطان به فضای روحانی و ربانی عالمی است که نمازگزار قصد ورود به آن را دارد. | ||
| کلیدواژه‌ها | ||
| حکمت اسلامی؛ هنر؛ قالیچه جانمازی؛ قرآن؛ بهشت | ||
| عنوان مقاله [English] | ||
| Manifestation of Philosophy in Islamic art "Case Study: Symbol of Paradise at Alter Rugs of the Islamic Treasury of the National Museum of Iran" | ||
| نویسندگان [English] | ||
| Majid Sarikhani | ||
| Assistant Professor, Archaeology Department, Literature and Humanity Faculty, University Of Shahrekord ,shahrekord , Iran. | ||
| چکیده [English] | ||
| Introduction: Islamic Philosophy and whatever is associated with Islam; benefited from the drop - Quran and Islam and Islam does not mean no funds biblical miracle of Quran. The effects of divine revelations have emerged everywhere and the Islamic Philosophy is one of them.What is the current research the role of Islamic Philosophy in Islamic Art. Motifs in Islamic art has a lot to realize that the two sides of attendance is debatable; One of is the descriptive and other analytical that it is necessary to know both the researcher because both are interdependent. Descriptive way, it is clear; But what will work closely with the research, Analytical aspects are artwork that A profound relationship with the Islamic philosophy (wisdom). Islamic philosophy and linked Islamic Art with Quran and the teachings of the Quran and benefit from the same root and origin. For a good analysis and analytical of Islamic art in all branches provided, It is essential to understand Islamic Philosophy to be able to access the graphic motifs. Method and Materials: The research method is analytical and descriptive. Therefore the treasures of the National Museum of the field visit was undertaken and between the museum and the number 7 or the altar was identified rug prayer( Ja-namazi ) rug that data from this study are. The research question is how Islamic philosophy can be explained on the altar carpet? The hypothesis is based on that altar carpet motifs representing symbols and allegories of paradise. Result: The purpose of this review, analysis and acquisition of Islamic Philosophy (wisdom ) is the altar ( Mihrabi ) carpet motifs and data from the research of the treasures of National Museum of Iran are the altar ( Mihrabi ) carpet. Carpet or rug prayer altar ( Mihrabi ) and a prayer rug, also known by the name of why are Muslims who are accustomed to using carpet prays according to the principles that have been raised in this regard, Another group has made the creation of carpets in Iran that prayer or prayer rugs ( Ja - namazi Ghalicheh ) or carpets are famous altar( Mihrabi ). These rugs are woven in small sizes were. Shah Abbas I alter rug weaving was very common. Weaving industry, although to some extent the decline led to the extinction of the Safavid dynasty, but disappeared. Artists of our time, given the current situation to continue. Zand and Qajar era, as well as examples of beauty in the hand, Some of which are excellent in terms of texture and pattern among carpets. Conclusion: The research result shows the altar of Iran's Islamic architectural elements and the appearance and beauty that is consistent with the teachings of the Quran, reminded worshipers is in paradise; The plan specifies the direction of prayer to Mecca and to holiness, which is on the carpet and mat has reminded worshipers and the rugs or mats, carpets altar ( Ja-namazi Rug ), prayer, or prayer that is and the altar as an input paradise and the altar ( Mihrabi ) paintings like Sdrat -Al- Montaha tree, tree of Tuba, the peacock bird garden and fountain, pond Kosar and signs in paradise carpet and if the act of prostration prayer ( which takes its embryonic state ) Intention to pass the entrance to paradise ( which is the same sanctuary ) into the garden, summer, garden, morphic, Khld Brin's morphic Almavy and ... . Around the edges of the carpet like a fence to prevent the entry into the spiritual and the divine realm is evil that worshipers entering its. Funding: There is no funding support Authors' Contribution: All stages of writing, analyzing and interpreting the article have been done by the author. Conflict of Interest: Authors declared no conflict of interest. | ||
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