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گونهشناسی و تبیین مضامین هنر گچ‌بری در مسجدجامع قدیم سیراف | ||
| مطالعات باستان شناسی دوران اسلامی Journal of Islamic Archaeology studies | ||
| مقاله 12، دوره 1، شماره 2، اسفند 1401، صفحه 217-230 اصل مقاله (896.95 K) | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22080/jiar.2021.3226 | ||
| نویسندگان | ||
| عباسعلی احمدی1؛ امینه خواجه2؛ مهرداد پارسایی برازجانی* 3 | ||
| 1استادیار گروه باستان‌شناسی، دانشگاه شهرکرد، شهرکرد، ایران. | ||
| 2دانش آموخته کارشناسی ارشد باستان شناسی ، دانشگاه شهرکرد، شهرکرد، ایران. | ||
| 3دانش آموخته کارشناسی ارشد باستان شناسی دانشگاه مازندران، بابلسر، ایران. | ||
| تاریخ دریافت: 29 اسفند 1399، تاریخ پذیرش: 29 اسفند 1399 | ||
| چکیده | ||
| تداوم رونق تجاری و اجتماعی به‌وجودآمده از اواسط دوره ی ساسانی در بندر باستانی سیراف و توسعهی هرچه‌بیشتر آن در سدههای نخست دوران اسلامی، این شهر را به پایگاهی مناسب برای انتقال مفاهیم و الگوهای هنری رایج در ایران پیش از اسلام به فضای هنری ایران اسلامی تبدیل کرد. چهارچوبهای فکری و اجتماعی برخاسته از آموزه های اسلامی در کنار رونق اقتصادی و ثروت تجّار سیرافی، معماران و هنرمندان این شهر را بر آن داشت تا با بهرهگیری و پالایش الگوهای هنری پیشین، دست به احداث بناهایی نظیر مسجدجامع قدیم سیراف بزنند. این بنا، اگرچه به‌عنوان یکی از قدیمیترین مساجد ایران و در ردیف مساجدی نظیر مسجد شوش، دامغان، جامع نایین و جامع اصفهان قرار میگیرد، امّا به‌علّت پراکندگی و محدودیت مطالعات صورت‌گرفته در ساختار معماری و هنرهای وابسته به آنمانند گچ‌بری، به شایستگی معرفی نشده و مهجور مانده است. در این پژوهش سعی بر آن است تا با بررسی مضامین بصری گچ‌بریهای به‌دست‌آمده از کاوشهای این مسجد و مقایسهی تطبیقی با گچ‌بریهای پیش و پس از آن، از اواخر دورهی ساسانی تا سدهی پنجم هجری، ضمن گونهشناسی نقوش و مضامین بهکاررفته در این گچ‌بریها، به تبیین نقش و جایگاه این بنا در فرآیند گذار ساختارهای هنر ایران پیش اسلام به دوران اسلامی پرداخته شود. برآیند مطالعات حاضر مؤید آن است که در مجموعه گچ‌بریهای به‌دست‌آمده از بنای مسجدجامع سیراف، هنرمند گچکار با بهرهگیری از الگوها و ترکیبات هندسی و گیاهی معمول در گچ‌بریهای دورهی ساسانی، دست به خلق ترکیباتی نو زده که ضمن هماهنگی با چهارچوبهای فکری و آموزههای اسلامی، رنگ و بوی گچ‌بری ساسانی را بیش از سایر بناهای هم‌دورهی خود منعکس میکند. | ||
| کلیدواژه‌ها | ||
| بندر سیراف؛ مسجد جامع قدیم؛ تزیینات گچ‌بری | ||
| عنوان مقاله [English] | ||
| Classification and Typology of Plaster Moulding Motifs in Masjed-e Jame Siraf | ||
| نویسندگان [English] | ||
| Abbas Ali Ahmadi1؛ Amineh Khajeh2؛ Mehrdad Parsaie Borazjani3 | ||
| 1Assistant Professor,Archaeology Department, University Of Shahrekord, shahrekord, Iran. | ||
| 2MA Alumnus in Archaeology , University Of Shahrekord, Shahrekord, Iran. | ||
| 3MA Alumnus in Archaeology, University Of Mazanadaran, Babolsar, Iran. | ||
| چکیده [English] | ||
| Introduction: The remains of the ancient port of Siraf are located in a narrow plain approximately 4.5 km long on the northern shores of the Persian Gulf, about 250 km southeast of Bushehr port. Most geographers and travelers in their mentions the commercial and economic prosperity of this port and indicate it with titles such as the capital of the Sassanid province "Ardeshir Khoreh", the gateway to China and the warehouses of Pars and Khorasan. The first archaeological excavations of Siraf began in 1345 by a joint delegation of English and Iranian archaeologists, led by David Whitehouse and continued until 1352 in seven separate seasons. In 1974, the Archaeological Center of Iran undertook the process of excavation in this area by an archeological team headed by Hossein Bakhtiari. In this series of excavations, the remains of the building of the Masjed-e Jame, which due to the general structure and the period of its construction and development, was among the most significant mosques of the first centuries of the Islamic era of Iran, it was completely excavated. The present study intends to investigate and study the samples obtained from the structure of this mosque and its comparative studies with the plaster-moldings of Masjed-e Jame of Naien, while explaining and separating the themes used in this complex in order to study the effect of this building on the process of transition from the cultural atmosphere of the Sassanid period to the Early Islamic centuries and the formation of Islamic artistic components. Materials and Methods: In order to provide the objectives of the present study, after a brief introduction of the Masjed-e Jame Ghadim of Siraf and a general overview of the various architectural dimensions of the building, the motifs used in the discovered structures are described separately and its commonalities and differences with the collection of motifs and the themes used in the plaster-moldings of the Masjed-e Jame of Naein will be considered as the basis of typology and classification. Generally, four plaster-moldings are obtained from the excavations of the Masjed-e Jameh in Trench B, which had physical details to study. The first two examples are plaster-molding blocks which were decorated with plant motifs by molding technique and probably mounted on the exterior of the building, above the porch or walls. The third piece, is a part of the plaster-molding that was probably used to decorate the wall of the mosque by constantly creating the shape of circles that include plant designs such as Lotus. The fourth and last piece mentioned in this research is an inscription written in Kufic inscription which was engraved in three horizontal rows with the technique of deep and embossed bedding. Although, there is a fourth row which is unfortunately not legible due to physical damage and its content is not clear. Results: Generally, in terms of the type of decorations, the motifs used in the plaster-molding decorations can be divided into three types such as plant motifs, geometric motifs and Kufic inscriptions, which were created using two techniques of mold motifs and deep plastering.The most common geometric pattern in this collection is the circular pattern, which is repeated separately or in combination and includes plant motifs. The comparative analogy of this form shows the continuation of the use of the simple type of this motif, which has its roots in the Sassanid period and has not yet been involved in the structure of the geometric patterns of the Middle and Late Islamic periods. Although, the combined examples of this motif are comparable to the early Islamic examples, but the simplicity lies in it and shows that they are raw and primitive. The plant motifs used in these structures include abstract flowers and leaves mixed with branches. The simplicity and abstraction which is evident in the flowers are comparable with Sassanid examples in Ctesiphon; but this is not the case with the leaves. The inscription in Masjed-e Jame Ghadim of Siraf was written in Iranian Kufic with deep plastering technique. Conclusion: In general, the geometric patterns used in the plaster-moldings in Siraf are more similar to the Sassanid examples in terms of structure and execution technique, but their slight arrangement can be considered as a manifestation of Islamic teachings. Although, by following the Sassanid pattern, the plant motifs have created a symmetrical composition, but they have become very simple and similar to examples in Islamic collections such as Masjed-e Jame of Naein. The structural composition and decorative details of the single inscription which was discovered from Masjed-e Jame of Siraf are all features that make the inscription comparable to similar examples from the fifth and sixth centuries A.H; however, the non-religious content of the inscription is the reason for its difference from other examples. Although the result of the present study does not determine a specific pattern for the designs and artistic compositions of the studied plaster-moldings, but it creates a general perspective of the origin of the trusted themes and reveals their stylistic tendency. Establishing a connection between the studied motifs and similar Sassanid examples is not an easy task; However, these concepts can be considered influenced by the plaster-moldings of the Sassanid period more than the other examples, and they can be considered as an intermediate link between the plaster-moldings of the Sassanid and the plaster-moldings of mosques of the early Islamic centuries in Iran. Funding: There is no funding support Authors' Contribution: The authors confirm their participation in the article as follows: Collection and description of data set: Amine Khajeh; Classification, comparison, theme classification and text writing: Mehrdad Parsaei; Final analysis: Abbas Ali Ahmadi. All authors reviewed the results and approved the final version of the manuscript. Conflict of Interest: Authors declared no conflict of interest. References - Ibn Hawql, Mohammad Ibn Ali. (1967), Image of the Earth, translated by Jafar Shaar, Tehran: Publications of the Iranian Culture Foundation [In Persian]. - Istakhri, Abu Ishaq Ibrahim., (1961), Al-Masalak wa Al-Mamalak, by Iraj Afshar Sistani, Tehran: Book Translation and Publishing Company [In Persian]. - Bakhtiari, Hussein , (1976), Archaeologists removed the curtains of oblivion from the seraphim, Art and People, No. 167, pp. 59-51 [In Persian]. - Blazeri, Ahmad ibn Yahya., (1985), The Conquest of the Countries, translated by Azartash Azarnoush, edited by Mohammad Forouzan, second edition of Tehran: Soroush Publishing [In Persian]. - Hamavi, Yaqut bin Abdullah., (1983), Selected joint of Yaqut Hamavi, translated by Mohammad Parvin Gonabadi, Tehran: Amirkabir Publications [In Persian]. - Moghaddasi, Abu Abdullah Mohammad Ibn Ahmad., (2006), Ahsan Al-Taqasim Fi Al-Marafa Al-Qalim, translated by Alinaghi Manzavi, second edition, Tehran: Koomesh Publications [In Persian]. - Whitehouse, David., (1974), Archaeological excavations of Siraf, translated by Hossein Bakhtiari, Historical Studies, Year 9, Number 6 (Serial No. 55), pp. 274 – 221 [In Persian]. - ________________, (2005), A Study of the Architecture of the Siraf Grand Mosque: Its Formation and Urban Position Among the Early Islamic Mosques, translated by Mehrnaz Budagh, Siraf Congress Proceedings, Volume 1, pp. 638-604, Bushehr: Iranian Studies Foundation (Bushehr Center) [In Persian]. - ________________, (1968), Excavations at Siraf, First Interim Report, Iran, No. VI, Pp. 1 - 23. - ________________, (1969), Excavations at Siraf, Second Interim Report, Iran, No. VII, Pp. 39- 62. - ________________, (1970), Excavations at Siraf, Third Interim Report, Iran, No. IIX, Pp. 1 - 18. - ________________, (1971), Excavations at Siraf, Fourth Interim Report, Iran, No. IX, Pp. 1 - 18. - ________________, (1972), Excavations at Siraf, Fifth Interim Report, Iran, No. X, Pp. 63 - 88. - ________________, (1974), Excavations at Siraf, Sixth Interim Report, Iran, No. XII, Pp. 1 - 30. | ||
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